Miguel Gutierrez is a choreographer, composer, performer, singer, writer, educator and advocate who has lived in New York for over twenty years. He is fascinated by the time-based nature of performance and how it creates an ideal frame for phenomenological questions around presence, meaning-making and the complexity of interiority. His work proposes an immersive state, where attention itself becomes a material that can be manipulated, stretched, strained, or dived into. He believes in an approach to art making that is fierce, fragile, empathetic, political, and irreverent.
In recent years he has been occupied with thinking about how he negotiates his queer Latinx identity within the traditions of the white avant-garde. This led to This Bridge Called My Ass, a piece that bends tropes of Latinidad to identify new relationships to content and form. The piece premiered in 2019 at The Chocolate Factory as part of American Realness Festival and tours throughout 2019 and 2020 to a host of venues.
He has been presented in more than 60 cities around the world, in venues such as at Centre National de Danse, Centre Pompidou, Festival Universitario, ImPulsTanz, Fringe Arts, Walker Art Center, TBA/PICA, MCA Chicago, Live Arts Bard, American Realness, and the 2014 Whitney Biennial. He has received support from Creative Capital, MAP, National Dance Project, National Performance Network, and Jerome Foundation. He has received fellowships from New York Foundation for the Arts, the Tides Foundation, Guggenheim Foundation, United States Artists, an award from Foundation for Contemporary Art, a 2016 Franky Award from Prelude Festival and four Bessies. He is a 2016 Doris Duke Artist.
Other recent work includes Cela nous concerne tous (This concerns all of us), a commission for Ballet de Lorraine inspired by the May '68 French protests. With Ishmael Houston-Jones he co-directed Variations on Themes from Lost and Found: Scenes from a Life and other works by John Bernd, which received a 2017 Bessie for Outstanding Revival.
He has been an artist in residence at MANCC, LMCC, Centre Choréographique National de Montpellier, Centre National du Danse Pantin, Baryshnikov Art Center, and Gibney. He has created music for several of his works, for Antonio Ramos’ work, and with Colin Self for Jen Rosenblit and Simone Aughterlony. He performs with Nick Hallett as Nudity in Dance. He also currently performs a music project called SADONNA: sad versions of upbeat Madonna songs.
His book WHEN YOU RISE UP is available from 53rd State Press. His essays have been published in A Life in Dance (ed. Rebecca Stenn and Fran Kirmser), In Terms of Performance: A Keywords Anthology (ed. Shannon Jackson and Paula Marincola) and his essay “Does Abstraction Belong To White People” was recently published on Bomb’s website. He is currently developing a new TV show with his sister, Margarita Gutierrez, called “Boca,” about a father’s brain trauma and its effects on his immigrant family.
He has taught regularly at a variety of festivals and intensives such as Forum Dança, La Caldera, ImPulsTanz, Camping/CND, SFADI, Lion’s Jaw, American Dance Festival, Bates Dance Festival, MELT at Movement Research, Earthdance, Danza Común, New Aesthetics, Performatica, and Ponderosa and he has been a Visiting Guest Professor at several universities including DOCH, Konstfack, P.A.R.T.S., Bennington College, Hollins University’s MFA Dance Program, School of Art Institute of Chicago’s Low Res MFA Art Program, Yale University’s MFA Program in Sculpture, RISD, Brown University, Carnegie Mellon University, UCLA, Princeton University, CalArts, University of Illinois, The New School/Eugene Lang, New York University’s Experimental Theater Wing, Hunter College, and many more. He is the program director for LANDING, a peer to peer network, non academic educational initiative at Gibney. He invented DEEP AEROBICS in 2007, disseminated it for ten years, and then killed it in 2017. He is also a Feldenkrais Method® practitioner.